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A Sense of Plausibility in Vision and Music Perception
定価 4,400 円（本体 4,000 円＋税）
B5判／118ページ
刊行日：2023年02月01日
ISBN：978-4-254-52035-4 C3011
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内容紹介
全編英文。写真や音楽から感受される「雰囲気」はどこから生まれるのか。心理学の重要な課題である「もっともらしさ（plausibility）」に迫る9編の論考。〔内容〕[Visual] Mechanisms／Camouflage／Lateralization of Visual Function／Stereogram／Urban Design. [Music, Speech] Perceptual Grouping／Audience Effect／Kalman Filter Model
編集部から
\(\mathbf{About\ this\ book}\)
A fascinating psychological issue, a sense of plausibility, was discussed by nine research experts in vision and music perception at successful international Symposiums held from 2019 to 2022.
A Sense of Plausibility in Vision and Music Perception is released as a proceeding of the international symposiums on Perception and Cognition Systems for Nature of Plausibility held at Kanagawa University from 2019 to 2022 and is contributed by nine experts. This book introduces the outcomes of recent scientific research on the sense of plausibility, which is experienced in everyday life. The sense of plausibility is obtained in various situations and aspects and is empirically a familiar sensation. However, it can be challenging to describe itself linguistically. One might acknowledge that this sensation is not a simple recall of stored memories stored based on one’s own experience. Therefore, it is a fascinating research topic to clarify and describe such a vague psychological phenomenon and its mechanism.
This book covers nine topics in the two research fields: visual plausibility and plausible aspect of music perception and cognition.
Written for professionals and students in the research field of visual psychology and music perception and cognition, as well as other basic and applied research experts.
目次
Part I Plausibility in Visual Perception
1. Visual Plausibility of Objects and Mechanisms of a Sense of Plausibility
1.1 Introduction
1.2 Visual Plausibility
1.3 The Plausibility of a Golden Object
1.3.1 Psychophysical Experiment
1.3.2 Results
1.4 Discussion
2. Camouflage, and Its Relationship with Plausibility
2.1 Camouflage
2.2 Plausibility
2.3 Frameworks
2.4 The Onion
2.4.1 Don’t Be There
2.4.2 Don’t Be Detected
2.4.3 Don’t Be Recognized
2.4.4 Don’t Be Chosen
2.4.5 Don’t Get Caught
2.4.6 Final Thoughts on the Onion
2.5 Signal-to-Noise Ratio
2.6 Linking Camouflage and Plausibility
3. Is Chromatic Motion System Lateralized?―On the Issue of Lateralization of Visual Function―
3.1 Cortical, Anatomical Symmetricity and Functional Laterality
3.1.1 Symmetricity of Vision and Visual Pathways
3.1.2 Retinal Symmetricity
3.1.3 Symmetricity of Visual Pathway
3.1.4 Question in the Visual Cortical Functions
3.2 Experiment 1: Spatial Symmetricity of Target Detection in Visual Search
3.2.1 Methods
3.2.2 Results and Discussion
3.3 Questions for Visual Cortical Pathways
3.4 Experiment 2: Spatial Symmetricity of Chromatic Motion Sensitivity
3.4.1 Methods
3.4.2 Results and Discussion
3.5 General Discussions
4. An Implausible Impression of Stereogram Could Be Due to Perceptual Enhancement of Luminance Modulation
4.1 Introduction
4.2 Binocular Summation and Stereopsis
4.3 The Effects of Binocular Disparity on Luminance Contrast Perception
4.3.1 Stimuli
4.3.2 Procedures
4.3.3 Results of the Experiment Using the Staircase Method
4.3.4 Results of the Experiment Using the Method of Constant Stimuli
4.3.5 Results of Monocular Presentation Conditions
4.4 The Enhancement of Perceived Contrast and Implausibility of Stereogram
5. Urban Design and Visual Plausibility―When Vision Leads the Body Astray―
5.1 Setting the Scene: Architectural Design Trends
5.1.1 Sensory Noise
5.1.2 A Sense of Plausibility in Vision
5.1.3 Structure of Chapter
5.2 Sensory Noise and Its Physiological Impact
5.2.1 Visual Noise, Physiological Stress and Individual Differences
5.2.2 Visual Noise, Prediction Errors and Locomotor Costs
5.2.3 From Visually-Guided Locomotion to Defining an Environment’s Walkability and Wellbeing
5.3 Conclusions
Part II Plausibility in Music Perception and Speech Perception
6. Effects of Perceptual Grouping in the Brain Processing of Sounds
6.1 What Is Perceptual Grouping?
6.2 How Does Perceptual Grouping Work?
6.3 Neural Correlates of Perceptual Grouping
6.4 What’s Next?
6.5 Summary
7. The Processing of Tonal Organization in Music
7.1 Cues for Key Perception
7.2 Musical Training and Key Perception
7.3 Tonal Processing in the Brain
7.4 Subsequent Directions for Research on Tonal Organization
8. The Audience Effect on Music Performances
8.1 General Theory of the Audience Effect
8.2 Performance Boost in Music Performances
8.3 Social Facilitation and Inhibition in Violin Performances
8.4 Summary Discussion and Future Direction
9. A Kalman Filter Model for Adaptation to Delayed Auditory Feedback in Adults Who Stutter
9.1 Introduction
9.2 Estimation of Delays in Auditory Reafference
9.2.1 State Space Model
9.2.2 Kalman Filter
9.3 DAF Adaptation
9.4 Perceived Simultaneity after DAF Adaptation
9.5 Comparison to Behavioral Data
9.6 Discussion
Index
執筆者紹介
\(\mathbf{■Editor}\)
Tatsuya Yoshizawa
Department of Human Sciences, Kanagawa University, Japan
\(\mathbf{■Contributors}\)
Tatsuya Yoshizawa
Department of Human Sciences, Kanagawa University, Japan
Nicholas E. Scott-Samuel
School of Psychological Science, University of Bristol, UK
Haruyuki Kojima
Faculty of Human Sciences, Kanazawa University, Japan
Goro Maehara
Department of Human Sciences, Kanagawa University, Japan
Ute Leonards
School of Psychological Science, University of Bristol, UK
Kentaro Ono
Center for Brain, Mind and KANSEI Sciences Research, Hiroshima University, Japan
Rie Matsunaga
Department of Human Sciences, Kanagawa University, Japan
Haruka Shoda
Faculty of Sport and Health Science, Ritsumeikan University, Japan
Nobuhiko Asakura
Center for Mathematical Modeling and Data Science, Osaka University, Japan
